TELEVISION

THE ROOKIE (S7)

Set Decorator - Jen Mueller



LISA: This job required sourcing and shopping at a fast pace, handling a vast volume of set dressing to support the show’s block-shooting style and crossover episodes. The series spans a wide range of character-driven environments — from layered homes and busy offices to gritty Los Angeles streets — all crafted to create authentic, everyday settings that ground the storytelling.

BLACK CAKE

Set Decorator - Carolyn Loucks



LISA The production required set decoration across multiple decades—from the 1950s through the early 2000s. I sourced a wide range of period American artifacts for use in Jamaica, ensuring authenticity across eras, while coordinating shipments and customs clearances to both Jamaica and the UK.

THE MYSTERIOUS BENEDICT SOCIETY

Set Decorator - Amber Haley

LISA: The design balanced modern and vintage influences. High-styled furniture was carefully curated to merge present-day aesthetics with a period feel—evoking a Wes Anderson–like sensibility. Sets were layered with beautiful colors and whimsical artifacts, spanning train stations, ship cabins, and grand mansions.

INSECURE (S5)

Set Decorator - Amber Haley

Lisa says: Shopping  was all about capturing the show’s signature blend of style, humor, and cultural authenticity. I sourced a mix of beautiful, and ethnically rich pieces—from contemporary Black art and bold textiles to quirky vintage finds— The result was a vibrant, lived-in aesthetic.

SOLOS

Set Decorator - Amber Haley

Lisa: says: The set decoration in Solos was highly stylized and tailored to each character’s story—minimal yet emotionally rich in one set, then heavily layered on another. We focused on blending sci-fi with intimate, personal design.

911 LONE STAR

Set Decorator - Regina O'Brien

LISA: Shopping for these sets was fast-paced and dynamic—a blend of high-stakes realism and stylized drama, with heavily layered, detailed environments.

HOMECOMING (S2)

Set Decorator - Christine McLewin

THE POLITICIAN

Set Decorator - Amber Haley

LISA: The sets were bold, colorful, and highly stylized—blending East Coast prep with Wes Anderson flair. Inspired by designers like Sister Parish, Billy Baldwin, and Dorothy Draper, my shopping focused on fabrics, smalls, and details that gave lavish homes and manicured gardens their distinctive, aspirational edge.

AGENTS OF S.H.I.E.L.D

Set Decorator - Melissa Levander

ALEX, INC.

Set Decorator - Amber Haley



BARRY

Set Decorator - Amber Haley



LISA: gritty, realistic, character pieces, lived in environments.

AMERICAN HOUSEWIFE

Set Decorator - Judi Giovanni

I'M DYING UP HERE

Set Decorator - Missy Parker

LISA:  I sourced extensive vintage furniture, neon, and atmospheric lighting to capture a gritty yet stylized 1970s vibe that mirrored both the era and the characters’ journeys. The look pulled from mid-century modern staples, late-60s bohemian touches, and early-70s lounge pieces—Los Angeles is a good hunting ground for this style.

NEW GIRL

Set Decorator - Jane Shirkes

THE FOSTERS

Set Decorator - Paul Roome

1600 PENN

Set Decorator - Herman Camacho

Lisa says:  I shopped a mix of authentic presidential furniture—both purchased and rented—to create an official and polished look. 

TOUCH

Set Decorator - Beau Peterson

THE CLOSER

Set Decorator - Kristin Peterson

CONSTRUCTION INTERVENTION

Set Decorator - Lisa Goldsmith

Lisa says:  My first/only Set Decorating reality job. We highlighted establishments such as bars, restaurants, and community centers that were facing significant challenges due to poorly executed construction.  We stepped in to complete the work in just four days, transforming spaces into functional, appealing places. I worked closely with an architect throughout the process.

CHUCK

Set Decorator - Judi Giovanni



Lisa says:  I sourced everything from quirky electronics to high tech spy gear to sleek furniture.

MY OWN WORST ENEMY

Set Decorator - Barbara Cassel

Lisa says:  Shopping on this was balancing sleek, high-tech spy environments with warm, lived-in suburban spaces reflecting the show's dual worlds with heavy layers throughout.

DIRTY SEXY MONEY

Set Decorator - Barbara Cassel

Lisa says: The sets were a lavish blend of traditional opulence and modern flair, the interiors filled with bold colors, eclectic furnishings, rich textures, intricate patterns, and luxurious materials. Very creative. Lots of fun to shop!

WITHOUT A TRACE

Set Decorator - Barbara Cassel

Lisa says: lots of detailed FBI offices to personal character homes. 

DEXTER

Set Decorator - Barbara Cassel

Lisa says: Shopping ranged from clean, modern police offices and forensics labs to moody, layered crime scenes and the character’s meticulously tidy apartment.

THIER EYES WERE WATCHING GOD

Set Decorator - Casey Hallenbeck

Lisa says:  The furniture was mainly from the 1920s–1930s—heavy, worn, rustic, and with a lived-in feel. I spent a lot of time researching and sourcing period-correct oil lamp lighting and adapting it to work today. We created an entire town of shops to bring the setting authentically to life.

AMERICAN DREAMS

Set Decorator - Beau Peterson



Lisa says:  Lots of shopping spanning from 1940s-1960s. heavy fabric sourcing, manufacturing.

THE X FILES

Set Decorator - Tim Stepeck



Lisa says: Shopping on this show blended sci-fi, mystery, and realism. I sourced everything from eerie, otherworldly props and high-tech gadgets to everyday items, balancing the supernatural with authentic FBI elements—making it both challenging and exciting.

ARLISS

Set Decorator - Judi Giovanni



WEAPONS OF MASS DESTRUCTION

Set Decorator - Stephanie Ziemer